Louise Lawler
Louise LawlerFitting at Metro Pictures
May 6 – June 11, 2011
Louise LawlerSucked In, Blown Out, Obviously Indebted or One Foot in Front of the Other
May 9 – June 7, 2008
Louise LawlerLooking Forward
October 30 – December 23, 2004
Louise LawlerFitting at Metro Pictures
May 6 – June 11, 2011
Louise LawlerSucked In, Blown Out, Obviously Indebted or One Foot in Front of the Other
May 9 – June 7, 2008
Louise LawlerLooking Forward
October 30 – December 23, 2004
Louise LawlerMore Pictures
January 29 – March 11, 2000
Louise Lawler
January 29 – March 11, 2000
Louise LawlerPaint, Wall, Pictures: Something Always Follows Something Else
She Wasn't Always a Statue
February 1 – March 15, 1997
Louise LawlerExternal Stimulation
February 26 – March 26, 1994
Louise Lawler
May 25 – June 22, 1991
Louise LawlerHow Many Pictures
April 29 – May 27, 1989
Louise LawlerIt Remains To Be Seen... Art by Design. "as serious as a circus"
January 17 – February 14, 1987
Louise LawlerArrangements of Pictures
November 20 – December 18, 1982
Honey, I Rearranged the Collection(group show)
Petach Tikva Museum of Art
April 30 - August 24, 2013
www.petachtikvamuseum.com
BACKFLIP: Feminism and Humour in Contemporary Art(group show)
VCA Margaret Lawrence Gallery, Australia
April 27 - May 25, 2013
www.vca.unimelb.edu
Open Spaces | Secret Places(group show)
Vertical Gallery, Sammlung Verbund, Vienna
March 13 - May 29, 2013
www.verbund.com
The Causes of Things(group show)
CNAP Centre National des Arts Plastiques, Brussels
March 7 - June 9, 2013
www.cnap.fr
Louise Lawler:October Files
This book includes the earliest published text on Lawler's work; an examination of her ephemera; a rare interview with the artist conducted by Douglas Crimp; a conversation between George Baker and Andrea Fraser on Lawler's work; and essays by writers Rosalind Krauss, Rosalyn Deutsche and Helen Molesworth, who edited the volume along with Taylor Walsh. October Files is available at the gallery.
www.mitpress.edu
Bio Louise Lawler
Born in 1947 in Bronxville, New York; lives in New York City
Attended Cornell University (BFA 1969)
New York (2011)
Afterall (2009)
Artforum (2008)
New York (2008)
Louise LawlerLouise Lawler and/or Gerhard Richter
Schirmer/Mosel
This new hardcover book brings together Louise Lawler’s images of Gerhard Richter’s paintings as they exist and are handled in the context of museums, galleries, auction houses, and collections. With a text by Tim Griffin, the book is available at the gallery.
Louise LawlerThe Tremaine Pictures 1984-2007
JRP|Ringier
Edited by Marc Blondeau and Philippe Davet
In 1984, Louise Lawler was granted access to the homes of visionary collectors Burton and Emily Tremaine, and she has since tracked the works she photographed there as they have wended their way through museums and auction houses. With texts by Stephen Melville and Andrea Miller-Keller, this publication gathers almost all the Tremaine Pictures produced between 1984 and 2007.
Louise LawlerTwice Untitled and Other Pictures (Looking Back)
The MIT Press
Editor Helen Molesworth
"Twice Untitled and Other Pictures," published in conjunction with Lawler's first major museum exhibition in the United States, organized by the Wexner Center for the Arts, eats away at the standard museum practices of chronology, linear development, and the presentation of masterpieces, opting instead to explore such dynamic themes and undercurrents in Lawler's practice as her relationship to sculpture, her long history of collaborative projects, her production of such ephemera as napkins, matchbooks, and announcement cards, and the steady political dimension of her work. With essays by art historian and political theorist Rosalyn Deutsche and curators Ann Goldstein and Helen Molesworth, "Twice Untitled and Other Pictures" promises to be an essential volume for anyone interested in late 20th and early 21st-century art.
Louise LawlerAn Arrangement of Pictures
Assouline
From an exhibition of Degas' materpieces to an Andy Warhol installation, this book invites you to discover Louise Lawler's unique vision of modern and contemporary art. Lawler is fascinated by what "happens" to the art object after it leaves the artist's studio - where it goes, how it's displayed, how it's valued, what it means. In a Lawler photograph taken in a private home, the furnishings and objects surrounding the art are given as much attention as the art; in a museum, the view out of a window next to the artwork; in an auction house, the label identifying the artwork. Her striking and provocative photographs show us how the environment that surrounds it affects our perception of art and how it in turn affects all aspects of that environment.