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After Still (1957-D No. 1), 2014. Charcoal on mounted paper. 99 1/2 x 140 inches (252.7 x 355.6 cm) MP# RL-D-1394

Artist Videos

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Robert Longo

April 10 – May 23, 2014
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Robert LongoKings

March 1 – 31, 2012
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Robert LongoSurrendering the Absolutes

April 23 – May 30, 2009
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Robert Longo

April 10 – May 23, 2014
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Robert LongoKings

March 1 – 31, 2012
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Robert LongoSurrendering the Absolutes

April 23 – May 30, 2009
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Robert LongoChildren of Nyx

November 3 – December 8, 2007
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Robert LongoThe Outward and Visible Signs of an Inward and Invisible Grace

November 3 – December 9, 2006
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Robert LongoThe Sickness of Reason

February 20 – March 27, 2004
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Robert LongoMonsters

September 21 – October 26, 2002
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Robert LongoThe Freud Drawings

January 13 – March 3, 2001
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Robert LongoMagellan

November 18 1997 – January 10 1998
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Robert LongoBodyhammers: Cult of the Gun

October 30 – November 27, 1993
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Robert LongoBlack Flags

October 13 – November 10, 1990
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Robert Longo

October 8 – November 5, 1988
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Robert LongoSteel Angels, Part II

October 18 – November 15, 1986
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Robert LongoSteel Angels: Part I

May 3 – June 14, 1986
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Robert Longo

April 28 – May 26, 1984
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Robert Longo

February 5 – March 5, 1983
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Robert LongoMen in the Cities

January 10 – 31, 1981
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ROBERT LONGO

"Urban Theater: New York in the 1980s," The Modern Art Museum of Fort Worth, Texas. September 21, 2014 - January 4, 2015 (Group Show)

"Love Story: Anne & Wolfgang Titze Collection," Belvedere Museum, Winter Palace, Vienna. June 15 - October 5, 2014 (Group Show)

Bio Robert Longo

www.robertlongo.com

Born 1953 in Brooklyn; lives in New York City; attended State University College, Buffalo, New York, 1975, BFA

Wall Street Journal (2014)

Time Out New York (2014)

Interview Magazine (2014)

Art in America (2013)

Man of the World (2013)

Elephant (2011)

Magellan (1997)

International Herald Tribune (2009)

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Robert LongoCharcoal

Hatje Cantz Verlag
With a new text by Hal Foster.

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Robert Longo

Rizzoli
Caroline Smulders and Gilbert Perlein

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Robert LongoMen in the Cities

Schirmer/Mosel
Foreword by Cindy Sherman. Interview by Richard Prince.