Andy Hope 1930
Lives and works in Berlin, Germany.
Selected One-Person Exhibitions
2010
"ON TIME," Metro Pictures, New York
"Andy Hope 1930 at the Freud," The Freud Museum, London
"Andreas Hofer," Charles Riva Collection, Brussels
2009
"Air tsu dni oui sélavy," Hauser and Wirth, London (and 2006)
"Andy Hope 1930," Sammlung Goetz, Munich (2009-2010) (cat.)
"White Space Black," Oldenburger Kunstverein, Oldenburg
2008
"City of Sokrates," Galerie Guido W. Baudach, Berlin, Germany (and 2006, 2003, 2001)
"Valleys of Neptune," Galerie Christine Mayer, Munich (and 2004, 2002)
"Phantom Gallery," Hauser & Wirth, Zürich; Hauser & Wirth, Los Angeles (cat.)
2007
"The Long Tomorrow," MARTa Herford Museum, Herford, Germany (2007-2008) (cat.)
"Sweet Troubled Souls: 13 Portraits of Women," Yola Noujaim, Paris
"Only Gods Could Survive," Metro Pictures, New York
2005
"Galassia che vai," Galerie Bleich-Rossi, Graz, Austria
"Two Bad," Galerie Bernd Kugler, Innsbruck, Austria
"Welt ohne Ende," Städtische Galerie im Lenbachhaus, Munich, Germany
"Andreas Hofer. Time Banners," Galerie Nomadenoase, Paris, France
2004
"Circus City 4419," Remise, Bludenz, Germany
"Winterheat," Galerie Parisa Kind, Frankfurt Main, Germany
1999
"Ich seh nach draußen und seh die Wand," SITE-Ausstellungsraum, Düsseldorf, Germany
1996
"c/o Puschmann," Ausstellungsraum Balanstrasse, Munich, Germany
Selected Group Exhibitions
2010
"Rive Gauche/Rive Droite," organized by Marc Jancou, Paris
"Permanent Trouble," Kunstforum Ostdeutsche Galerie, Regensburg, Germany (cat.)
2009
"Jahresgaben," Kunstverein, Braunschweig, Germany (2009-2010)
"Until the End of the World," AMP Gallery, Athens
"Man Son 1969: The Horror of the Situation," Galerie der Gegenwart, Hamburger Kunsthalle, Hamburg
2008
"Leinzell Open 2008," Schloss Leinzell, Germany
Metro Pictures, New York
"Vertrautes Terrain: Contemporary Art in & about Germany," ZKM Center for Art and Media, Karlsruhe
"Kommando Tilman Riemenschneider: Europa 2008," Hospitalhof Stuttgart, Germany (cat.)
2007
"Paul Thek: Werkschau im Kontext zeitgenössisher Kunst," ZKM Center for Art and Media, Karlsruhe, Germany; Sammlung Falckenberg, Hamburg (2007-2008)
"There is Never a Stop and Never a Finish: Works From the Friedrich Christian Flick Collection," Hamburger Bahnhof, Berlin (2007-2008)
"Euro-Centric," Rubell Family Collection, Miami
"Kommando Friedrich Hölderlin Berlin," Galerie Max Hetzler, Berlin (cat.)
"The Fellbach Triennale," Fellbach, Germany
"Hot Rock," Transmission Gallery, Scotland
"Made in Germany," Sprengel Museum, Hannover
2006
Galerie Patrick Seguin, Paris
"Optik Schröder," Kunstverein Braunschweig, Braunschweig, Germany
"Deutschland – Heimat als Utopie," Hillside Terrace, Tokyo, Japan
2005
"Styles und Stile – Contemporary German Painting from the Scharpff Collection," Sofia Art Gallery, Sofia, Bulgaria
"André Butzer & Andreas Hofer," Kunstverein Ulm, Ulm, Germany
"Transcontinental Nomadenoase," Silverbridge, Miami
"Goetz meets Falckenberg," Sammlung Falckenberg, Hamburg, Germany
"Les Grands Spectacles," Museum der Moderne, Salzburg, Austria
"la nouvelle peinture allemande," Carré d\'Art, Nîmes, France
"3 Jahre \'forever and a day Büro\'," Forever and a Day Büro, Berlin, Germany
2004
"Direkte Malerei/Direct Painting," Kunsthalle Mannheim, Mannheim, Germany
"The Banana Tree," Neue Bahnhofstraße 5, Berlin, Germany
"Made in Berlin," ArtForum, Berlin, Germany
"Olivia Berckemeyer – Frohe Zukunft," Halle für Kunst Lüneburg, Lüneburg, Germany
"Und im Winde klirren die Fahnen," Galerie Ben Kaufmann, Munich, Germany
"Heimweh: Young German Art," Haunch of Venison, London, United Kingdom
"Guido W. Baudach," Galerie Guido W. Baudach, Berlin, Germany (and 2002, 2001)
"Kommando Pfannenkuchen," Daniel Hug Gallery, Los Angeles, California
"Lies, Lust, Art & Fashion," Podewil, Berlin, Germany
"Ein Jahr Galerie Parisa Kind – Niedergang, Schimmel und Verfall," Galerie Parisa Kind, Frankfurt, Germany
2003
"Hands up, Baby, hands up," Oldenburger Kunstverein, Oldenburg, Germany
"Actionbutton," Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany; Russian Museum, St. Petersburg, Russia
"Vom Horror der Kunst," Grazer Kunstverein, Graz, Austria
"Watou Poeziezommer 2003," Watou, Berlin
"Licht an," Atelier Paul Heyse 17, Munich, Germany
"Deutschemalereizweitausenddrei," Frankfurter Kunstverein, Frankfurt, Germany
"Painting on the roof," Museum Abteiberg, Mönchengladbach, Germany; Paolo Curti Gallery, Milan, Italy
2002
"Hossa," Central Cultural Andratx, Palma de Mallorca, Spain
"J. Bock, K. Hartmann, A. Hofer, V. Lang, A. Pinckernelle, S. Thater," Wenzel Hablik Museum, Itzehoe, Germany
"Große Kunstausstellung Sommer 2002 im Pazifik," Pazifik, Berlin, Germany
"Urwald," Witzlebenstraße 3, Berlin, Germany
"Schöne Aussicht, Herr Schweins," Galerie Otto Schweins, Cologne, Germany
2001
"Viva Novembe," Städtische Galerie Wolfsburg, Wolfsburg, Germany
"believe." Westfälischer Kunstverein, Münster, Germany (and 2000)
"Im Wandel der Liebe zu uns selbst und des Gesichtssinns im allgemeinen (Deutsch-Britische-Freundschaft-DBF)," Maschenmode (Galerie Guido W. Baudach), Berlin, Germany
2000
"Die Gefahr im Jazz (DBF)," Straßburger Strasse 4, Berlin, Germany
"Raumvorstellungen," Künstlerwerkstatt Lothringer Strasse, Munich, Germany
1999
"Nationale der Zeichnung," Galerie Oberländer, Augsburg, Germany
"Zauber*Haft," Dresden, Germany
"Credo," Galerie im Rathaus, Munich, Germany (and 1998)
"attenfunktion Burgaufbau," Andersens Wohnung, Berlin, Germany
"Landscape in Progress II," Künstlerwerkstatt Lothringer Straße, Munich, Germany
"Beach Party \'99," Galerie Andreas Binder, Munich, Germany
1998
"REALITY INVESTMENT/Akademie Isotrop," Ulm, Germany
"Public Opinion Is A Little Girl (DBF)," Unit 6/7, London, United Kingdom
"KS 12 & OSR," Galerie via 113 (Daniel Schürer), Hildesheim, Germany
"Anwander," Bazaar de Cologne, Cologne, Germany
"Holiday," Ultraschall, Kunstpark Ost, Munich, Germany
"Rainbow Bridge," Ultraschall/Kunstpark Ost, Munich, Germany
"Landscape in Progress," Künstlerwerkstatt Lothringer Strasse, Munich, Germany
1997
"Home Exit," Goethe Institut London, London, United Kingdom
"Wandervögel," Studio, London, United Kingdom
1996
"Goldrand," Galerie Markt Bruckmühl, Bruckmuehl, Germany
1995
"Der zweite Blick," Haus der Kunst, Munich, Germany
Selected Bibliography
2010
Skye Sherwin, "Artist of the week 79: Andreas Hofer," www.guardian.co.uk, March 18
"Reviews: Andreas Hofer, Goetz Collection," Artforum, March, pp. 260
Permanent Trouble, Snoeck Verlagsgesellschaft mbH, Köln, pp. 155-178
2009
Andreas Hofer Andy Hope 1930, Sammlung Goetz, Munich, pp. 192
Phantom Gallery, Steidl Hauser & Wirth, Göttingen, Germany, pp. 144
2008
Judicaël Lavrador, Qu'est-ce Que La Peinture Aujourd'hui?, Beaux Arts, Paris, pp. 106-107
The Long Tomorrow, Verlag der Buchhandlung Walther König, Köln, pp. 72
Kommando Tilman Riemenschneider: Europa 2008, Hospitalhof Stuttgart, pp. 55
Kathryn Garcia, "Phantom Sensations," www.artnet.com, February 22
2007
Daniel Völzke, "Planet Terror," Monopol, November, pp. 32-41
Kommando Friedrich Hölderlin Berlin, Galerie Max Hetzler, Berlin, pp. 4-7
R.C. Baker, "Best in Show: Pulp Valhalla," The Village Voice, New York, April 10, pp. 50
2006
Felix Prinz, "Im Dickicht der Zeichen," Texte Zur Kunst, December, pp. 215-217
This Island Earth, Steidl Hauser & Wirth, London
"Andreas Hofer - Galassia che vai," Verlag Galerie Bleich-Rossi, Graz
"Andreas Hofer - Two Bad," Verlag Galerie Bernd Kugler, Innsbruck
"Andreas Hofer - Peiner Block," Verlag H & K, Berlin
"Andreas Hofer - Welt ohne Ende," Verlag Walther König, Köln
Holger Liebs, "Ihr, die ihr nicht seht," Süddeutsche Zeitung, July 23-24
Moni Brüggeller, "Andreas Hofer sprengt alle Kunst-Grenzen," Kronen Zeitung, April 30, p. 29
Alexander Kluy, "Neue Schäbigkeit, niederer Realismus," Die Welt, April 5
Heinz Schütz, "Der Ritt übers tosende Zeichenmeer," Kunstforum, Vol. 175, April-May, pp. 331-333
Rüdiger Heise, "Mit Mythen malen," Applaus, April
Alexander Altmann, "Groteskes Privatuniversum mit Talmi-Dämonen," Bayrische Staatszeitung, February 11
Vieit Loers, "Zwischen Goebbels und Batman," Kunstzeitung, No. 102, February, pp. 14
Stefan Felbinger, "Schluß mit dem Gejammer," Wams, February 6
"Andreas Hofers Freestyle-Kunst," Spiegel, No.4, January 24, pp. 166
Eva Karcher, "Apocalypse jetzt, aber bitte mit Seele," Süddeutsche Zeitung, January 28, pp. 15
2004
"Andreas Hofer," Heimweh, Young German Art, Haunch of Venison (ed.), London
"Andreas Hofer, München – Bruckmühl und zurück," Verlag Heckler und Koch, Berlin
Forian Illies, "Die Augenzeugen des Unsichtbaren," Monopol, Berlin, October/November, pp. 14–24
Timm Klotzek & Oliver Stolle, "Wer sperrig ist hat mehr zu bieten" (Interview), Neon, Hamburg, October 2004, pp. 142 –147
Anne Erfle, "Politisches und Poetisches," Süddeutsche Zeitung, Munich, September 30, p. 46
"Und John Wayne reitet wieder," Voralberger Nachrichten, Schwarzach, March 18
2003
"Actionbutton – Neuerwerbungen zur Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland 2000–2002," Hamburger Bahnhof, Museum für Gegenwart Berlin
Helga Meister, "Painting on the Roof," Kunstforum International, Ruppichteroth, March-May, pp. 305ff.
David Galloway, "The eternal reinvention of painting," International Herald Tribune, Paris, February 15
Birgit Sonna, "Nachrichten aus den Zwischenwelten," Süddeutsche Zeitung, Munich, June 17, p. 40
Ulrich Tragatschnig, "Entgrenzte Repräsentation – Ausstellungsprojekt im Steirischen Herbst," Camera Austria International, Wien, No. 84, pp. 106–107
2002
"Viva November," Ausstellungskatalog, Städtische Galerie Wolfsburg
Birgit Sonna, "Schauergefühle an die Wand genagelt," Süddeutsche Zeitung, Munich, October 11
2001
Esther Buss, "Schwermut Forrest," Texte zur Kunst, Berlin, December, pp. 136 ff.
Heidi Fichtner, "Andreas Hofer," Flash Art, Mailand, November/December, pp. 96ff
Britta Sachs, "Küchenfee mit Blendaxgrinsen," Frankfurter Allgemeine Zeitung, Frankfurt/Main, October 12, pp. 43
"Constructiona simpatico de Futura," Site 5, Düsseldorf, February, pp. 13–17
2000
Berthold Reiß, "Andreas Hofer, Samstag, 8. April 19 Uhr," Raumvorstellungen, Künstlerwerkstatt Lothringer Straße 13, Munich, pp. 25–31
