Cindy Sherman
Born January 19, 1954 in Glen Ridge, New Jersey. Attended State University College at Buffalo, New York, 1976, B.A. Lives in New York City.
Selected One-person Exhibitions:
2010
"Untitled Film Stills," National Gallery of Iceland, Reykjavík
2009
Gagosian Gallery, Rome
Sprüth Magers, Berlin
Sprüth Magers, London (and 2007, 2005)
2008
Metro Pictures, New York (and 1980, 1981, 1982, 1983, 1985, 1987, 1989, 1990, 1992, 1995, 1996, 1998, 1999, 2000, 2004, 2006) (cat.)
"History Portraits," Skarstedt Gallery, New York (and 2003)
2006
Jeu de Paume, Paris; Kunsthaus Bregenz, Austria; Louisiana Museum for Moderne Kunst, Copenhagen; Martin Gropius Bau, Berlin (2006-2007) (cat.)
2005
Sprueth Magers, Munich (and 2000)
Guild Hall, East Hampton, New York
"Cindy Sherman: Working Girl," Contemporary Art Museum, St. Louis (cat.)
2004
"The Unseen Cindy Sherman-Early Transformations 1975/1976," Montclair Art Museum, Montclair, New Jersey (cat.)
Kestnergesellschaft, Hanover, Germany (cat.)
2003
Serpentine Gallery, London; Scottish National Gallery of Modern Art, Edinburgh
2000
Hasselblad Center, Goteburg, Sweden
Gagosian Gallery, Los Angeles
1997
"Cindy Sherman: The Complete Untitled Film Stills," Museum of Modern Art, New York
"Cindy Sherman: A Selection From the Eli Broad Foundation's Collection," Museo de Bellas Artes, Caracas, Venezuela (cat.)
"Cindy Sherman: Retrospective," Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art, Chicago; Galerie Rudolfinum, Prague; capc Musée, Bordeaux; Museum of Contemporary Art, Sydney; Art Gallery of Ontario, Toronto (1997-2000)
Museum Ludwig, Cologne
1996
Museum Boymans-van Beuningen, Rotterdam; Museo Nacional Centro de Arte Reina Sofia, Madrid; Sala de Exposiciones REKALDE, Bilbao; Staatliche Kunsthalle, Baden-Baden, Germany (cat.)
Museum of Modern Art, Shiga, Japan; Marugame Genichiro-Inokuma Museum of Contemporary Art, Marugame, Japan; Museum of Contemporary Art, Tokyo (cat.)
"Metamorphosis: Cindy Sherman Photographs," Cleveland Museum of Art, Cleveland
1995
"Directions: Cindy Sherman - Film Stills," Hirshhorn Museum, Washington, D.C. (broch.)
"Cindy Sherman Photographien 1975-1995," Deichtorhallen Hamburg; Malmo Kunsthall, Sweden; Kunstmuseum Luzerne, Switzerland (cat.)
Museu de Arte Moderna de Sao Paulo, Brazil (cat.)
Monika Sprüth Galerie, Cologne (and 1984, 1988, 1990, 1992, 1994)
1994
ACC Galerie Weimar, Germany (cat.)
Manchester City Art Gallery
The Irish Museum of Modern Art, Dublin (cat.)
1993
Tel Aviv Museum of Art
1992
Museo de Monterrey, Mexico (cat.)
1991
Basel Kunsthalle, Switzerland; Staatsgalerie Moderner Kunst, Munich; The Whitechapel Gallery, London (cat.)
Milwaukee Art Museum; Center for the Fine Arts, Miami; The Walker Art Center, Minneapolis (broch.)
1990
Padiglione d'arte Contemporanea, Milan (cat.)
University Art Museum, University of California, Berkeley
1989
National Art Gallery, Wellington, New Zealand; Waikato Museum of Art and History, New Zealand (cat.)
1987
Whitney Museum of American Art, New York; The Institute of Contemporary Art, Boston; Dallas Museum of Art (cat.)
1985
Westfalischer Kunstverein, Munster, West Germany (cat.)
1984
Akron Art Museum; Institute of Contemporary Art, Philadelphia; Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania; Des Moines Art Center; The Baltimore Museum of Art (cat.)
1983
Musee d'Art et d'Industrie de Saint Etienne, France (cat.)
The St. Louis Art Museum, Missouri (broch.)
1982
The Stedelijk Museum, Amsterdam; Gewad, Ghent, Belgium; Watershed Gallery, Bristol, England; John Hansard Gallery, University of Southampton, England; Palais Stutterheim, Erlangen, West Germany; Haus am Waldsee, West Berlin; Centre d'Art Contemporain, Geneva; Sonja Henie-Niels Onstadt Foundation, Copenhagen; Louisiana Museum, Humlebaek, Denmark (cat.)
1980
Contemporary Arts Museum, Houston (broch.)
Selected Group Exhibitions:
2010
"Skin Fruit: Selections from the Dakis Joannou Collection," New Museum, New York
"Off the Wall: Part 1—Thirty Performative Actions," The Whitney Museum of American Art, New York
"Sexuality and Transcendence," Pinchuk Art Centre, Kiev
"Haunted: Contemporary Photography/Video/Performance," Solomon R. Guggenheim Museum, New York; Guggenheim Museum, Bilboa (cat.) (2010-2011)
"The Dissolve," SITE Santa Fe Eighth Biennial, Santa Fe, New Mexico (cat.)
2009
"Undeniably Me," Kunstmuseum Wolfsburg, Germany (2009-2010)
"Beg Borrow and Steal," The Rubell Family Collection Museum, Miami (2009-2010) (cat.)
"Who's Afraid of the Artists, A Selection of Works From Francois Pinault Foundation Collection," Palais des Arts, Dinard, France
"Dress Codes," Third ICP Triennial of Photography and Video, International Center of Photography Museum, New York (2009-2010) (cat.)
"Mapping the Studio: Artists from the François Pinault Collection," Punta della Dogana, Venice (2009-2010) (cat.)
"The Pictures Generation: 1974-1984," The Metropolitan Museum of Art, New York (cat.)
"Into the Sunset: Photography's Image of the American West," Museum of Modern Art, New York; Seattle Art Museum (2009-2010)
"Un Certain État du Monde? A Selection of Works From Francois Pinault Foundation Collection," Garage Center for Contemporary Culture, Moscow (cat.)
"Darkside II," Fotomuseum Winterthur, Zürich (cat.)
2008
"Collecting Collections: Highlights from the Permanent Collection," The Museum of Contemporary Art, Los Angles (cat.)
"Blasted Allegories: Works from the Ringier Collection," Kunstmuseum, Luzern (cat.)
"Street and Studio," Tate Modern, London; Museum Folkwang, Essen, Germany (2008-2009) (cat.)
The Broad Contemporary Art Museum, Los Angeles County Museum of Art, Los Angeles (cat.)
2007
"WACK! Art and the Feminist Revolution," The Museum of Contemporary Art, Los Angeles; National Museum of Women in the Arts, Washington D.C.; P.S. 1 Contemporary Art Center, New York (2007-2008) (cat.)
"Theater without Theater," Museum of Contemporary Art, Barcelona
Museum Ludwig, Köln
"Held Together With Water," Sammlung Verbund, MAK, Vienna; Museum of Modern Art, Istanbul (2007-2009) (cat.)
"Panic Attack! Art in the Punk Years," Barbican Art Gallery, London (cat.)
Sammlung Verbund, MAK, Vienna (cat.)
"Wrestle," Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York (cat.)
"Portrait/Homage/Embodiment," Pulitzer Foundation for the Arts, St. Louis
2006
"Masquerade: Role Playing in Self-Portraiture," Los Angeles County Museum of Art
"The Eighth Square: Gender, Life, and Desire in the Visual Arts Since 1960," The Museum Ludwig, Cologne
"New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video," Grimaldi Forum Monaco (cat.)
"Into Me / Out of Me," P.S. 1, New York; KW Institute for Contemporary Art, Berlin; MACRO Museo d'Arte Contemporanea, Rome (2006-2007) (cat.)
"WHERE ARE WE GOING: Selections from the Francios Pinault Collection," Palazzo Grassi, Venice
"Masquerade," Museum of Contemporary Art, Sydney
2005
"Contemporanea," Fundación Juan March, Madrid (cat.)
"Vertiges," Printemps de septembre a Toulouse Festival of Contemporary Images, France
"Flashback: Revisiting the Art of the Eighties," Kunstmuseum Museum for Gegenwartskunst, Basel (cat.)
2004
"Monument to Now: The Dakis Joannou Collection," DESTE Foundation for Contemporary Art, Athens (cat.)
"Fashioning Fiction - In Photographing Since 1990," Museum of Modern Art, New York (cat.)
"La Grande Parade – Portrait de L\'artiste en Clown," Galeries nationals du Grand Palais, Paris; National Gallery of Canada, Ottawa (cat.)
"Disparities & Deformations – Our Grotesque," 5th International Site Santa Fe Bienniale, Site Santa Fe, New Mexico (cat.)
"Shanghai Biennale - Techniques of the Visible," Shanghai Art Museum, China (cat.)
2003
"Pletskud," Arken Museum for Moderne Kunst, Skøvej, Germany
"The Last Picture Show: Artists Using Photography 1960-1982," Walker Art Center, Minneapolis, MN; UCLA Hammer Museum, Los Angeles; Miami Art Central, Florida (cat.)
2002
"Tableaux Vivants," Kunsthalle Wien, Vienna (cat.)
"Hautnah - The Goetz Collection," Museum Villa Stuck, Munich (cat.)
"Moving Pictures," Solomon R. Guggenhein Museum, New York
"Visions from America: Photographs from the Whitney Museum of American Art," Whitney Museum of American Art, New York (cat.)
"Life, Death, Love, Hate, Pleasure, Pain," Museum of Contemporary Art, Chicago (cat.)
2001
"Double Life," Generali Foundation, Vienna, Austria (cat.)
"Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collection," Los Angeles County Museum of Art; Museum of Fine Arts, Boston (2002)
"ABBLID: Recent Portraiture and Depiction," Landesmuseum Joanneum, Graz, Austria (cat.)
2000
"Let's Entertain," Walker Art Center, Minneapolis (cat.); Centre Georges Pompidou, Paris; Portland Art Musuem, Oregon; Museo Rufino Tamayo, Mexico City, Mexico (cat.); Kunstmuseum Wolfsburg, Wolfsburg, Germany (2001); Miami Art Museum, Miami (2001) (cat.)
"Open Ends," Museum of Modern Art, New York
"Hyper Mental," Kunsthaus Zürich (November 17, 2000 - January 21, 2001); Hamburger Kunsthalle (February 16 - May 6, 2001) (cat.)
"Inverted Odysseys: Claude Cahun, Maya Deren, Cindy Sherman," Grey Art Gallery, New York University; Museum of Contemporary Art, Miami
1999
"Gesammelte Werke 1: Zeitgenössische Kunst seit 1968," Kunstmuseum, Wolfsburg
"Notorious," Museum of Modern Art, Oxford
"The American Century," Whitney Museum of American Art, New York (cat.)
"Inverted Odysseys," Grey Art Gallery, New York (cat.)
"The Century of the Body: Photoworks 1900-2000," Musée de l'Elysée, Lisbon
"Triennale Exhibition: Sentiment of the Year 2000," Triennale di Milano, Milan
"Regarding Beauty," Hirshhorn Museum, Washington, D.C. (cat.)
1998
"Mirror Images: Women, Surrealism and Self-Representation," MIT List Center, Cambridge, Massachusetts; Miami Art Museum; San Francisco Museum of Modern Art
1997
"Gender Performance in Photography," Soloman R. Guggenheim Museum, New York (cat.)
"On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection," The Museum of Modern Art, New York (cat.)
"Von Beuys bis Cindy Sherman Sammlung Lothar Schirmer," Kunsthalle, Bremen (cat.)
1996
"L'Informe: le Modernisme a Rebours," Centre Georges Pompidou, Musée National d'Art Moderne, Paris (cat.)
"Hall of Mirrors: Art and Film Since 1945," The Museum of Contemporary Art, Los Angeles; The Wexner Center for the Arts, Columbus, Ohio; Palazzo delle Esposizioni, Rome; The Museum of Contemporary Art, Chicago (cat.)
Biennale di Firenze, Florence, Italy (cat.)
1995
"Projections," Ydessa Hendeles Art Foundation, Toronto
"1995 Biennial Exhibition," Whitney Museum of American Art, New York (cat.)
"Zeichen & Wunder," Kunsthaus Zurich, Switzerland (cat.)
"XLVI Esposizione Internazionale d'Arte 1995," La Biennale di Venezia, Venice (cat.)
"FeminiMasculin: Le Sexe de l'Art?," Centre Georges Pompidou, Musée d'Art Moderne, Paris (cat.)
"1995 Carnegie International," The Carnegie Museum of Art, Pittsburgh (cat.)
1994
"World Morality," Kunsthalle, Basel (cat.)
"Body and Soul," The Baltimore Museum of Art, Maryland
"Jurgen Klauke - Cindy Sherman," Sammlung Goetz, Munich (cat.)
1993
"Louise Lawler, Cindy Sherman, Laurie Simmons," Kunsternes Hus, Oslo; Museum of Contemporary Art, Helsinki (cat.)
"1993 Biennial Exhibition," Whitney Museum of American Art, New York (cat.)
"American Art of This Century," Martin-Gropius-Bau, Berlin; Royal Academy of Arts, London (cat.)
1992
"Post Human," Musée d'Art Contemporain, Pully/Lausanne, Switzerland; Castello di Rivoli, Turin; Deste Foundation, Athens; Deichtorhallen, Hamburg; Israel Museum, Jerusalem (cat.)
1991
"1991 Biennial Exhibition," Whitney Museum of American Art, New York (cat.)
"Metropolis," Martin-Gropius-Bau, Berlin (cat.)
1990
"Culture and Commentary," The Hirshhorn Museum, Washington, D.C. (cat.)
"Energies," The Stedelijk Museum, Amsterdam (cat.)
"The Readymade Boomerang," Eighth Biennial of Sydney (cat.)
1989
"A Forest of Signs: Art in the Crisis of Representation," Museum of Contemporary Art, Los Angeles (cat.)
"Bilderstreit," Mense Rhineside Halls, Cologne
"Image World: Art and Media Culture," Whitney Museum of American Art, New York (cat.)
1987
"Avant-Garde in the Eighties," Los Angeles County Museum of Art (cat.)
"Implosion: A Postmodern Perspective," Moderna Museet, Stockholm (cat.)
1986
"Art and Its Double: A New York Perspective," Fundacio Caixa de Pensions, Barcelona; La Caixa de Pensions, Madrid (cat.)
"Individuals: A Selected History of Contemporary Art, 1945-1986," Museum of Contemporary Art, Los Angeles (cat.)
"The American Exhibition," The Art Institute of Chicago (cat.)
1985
"1985 Carnegie International," Carnegie Museum of Art, Pittsburgh (cat.)
"1985 Biennial Exhibition," Whitney Museum of American Art, New York (cat.)
1984
"Alibis," Centre Pompidou, Musee d'Art Moderne, Paris (cat.)
"Content: A Contemporary Focus, 1974-84," Hirshhorn Museum, Washington, D.C. (cat.)
"The Fifth Biennale of Sydney, Private Symbol: Social Metaphor," Art Gallery of New South Wales, Sydney (cat.)
1983
"Directions 1983," Hirshhorn Museum, Washington, D.C. (cat.)
"1983 Biennial Exhibition," Whitney Museum of American Art, New York (cat.)
"The New Art," Tate Gallery, London
1982
"Documenta 7," Kassel, West Germany (cat.)
"Eight Artists: The Anxious Edge," Walker Art Center, Minneapolis, Minnesota (cat.)
"La Biennale di Venezia," Venice (cat.)
Film and Video Direction:
1997
"Office Killer," Directed by Cindy Sherman, feature-film starring Molly Ringwald, Carol Kane, Jeanne Tripplehorn, Barbara Sukowa, Good Machine and Kardana/Swinsky Films
Monographs:
2008
Cindy Sherman, Metro Pictures and Sprüth Magers, New York, pp. 40
2007
Francesco Bonami (ed.), Cindy Sherman, Mondadori Electa S.p.A., Milan
A Play of Selves, Hatje Cantz Verlag, Metro Pictures, New York
2006
Julie Rouard (ed.), Cindy Sherman, Jeu de Paume & Flammarion, Paris
Johanna Burton, Cindy Sherman, The October Files, MIT Press, Boston
2005
Working Girl, Essay by Catherine Morris, Contemporary Art Museum St. Louis
2004
Clowns, Schirmer/Mosel, Hannover
2003
The Complete Untitled Film Stills, Museum of Modern Art, New York
Centerfolds, Skarstedt Fine Art, New York
Cindy Sherman, Serpentine Gallery, London
2001
Hysteric Two, Hysteric Glamour, Tokyo
2000
Early Work of Cindy Sherman, foreword by Edsel Williams, Glenn Horowitz Bookseller, New York
Cindy Sherman, ed. by Gunilla Knape, Hasselblad Center, Goteborg, Sweden
1999
The Essential Cindy Sherman, The Wonderland Press/Abrams, New York
1997
Retrospective, Museum of Contemporary Art, Los Angeles
Katharina Schmidt & Marc Scheps, Cindy Sherman, Museum Ludwig, Cologne
Cindy Sherman: A Selection From the Eli Broad Foundation's Collection, essays by Frederica Palomero & Joanne Heyler, Museo de Bellas Artes, Caracas, Venezuela
1996
Cindy Sherman, essays by Betty van Garrel, Verena Lueken, Hal Foster, Margrit Brehm, Peter Schjeldahl, Museum Boijmans-van Beuningen, Rotterdam
Cindy Sherman, essays by Amelia Arenas, Chika Mori, Akio Obigane, sachiko Osaki, interview with Noriko Fuku, Museum of Modern Art, Shiga, Japan; Marugame Genichiro-Inokuma Museum of Contemporary Art; Museum of Contemporary Art, Tokyo
1995
Christa Schneider, Cindy Sherman: History Portraits, Schirmer Mosel, Munich
Cindy Sherman: Photoarbeiten 1975-1995, introduction by Zdenek Felix and Martin Schwander, text by Elisabeth Bronfen and Ulf Erdmann Ziegler, Deichtorhallen Hamburg, Malmo Konsthall, Kunstmuseum Luzern
Cindy Sherman: The Self Which Is Not One, essay by Carlos Basualdo, Museu de Arte Moderna de Sao Paulo, Brazil
1993
Rosalind Krauss, Cindy Sherman: 1975-1993, Rizzoli, New York
1991
Cindy Sherman, essay by Thomas Kellein, Basel Kunsthalle, Basel; Whitechapel Art Gallery, London; Staatsgalerie Moderner Kunst, Munich
History Portraits, essay by Arthur C. Danto, Rizzoli, New York and Schirmer/Mosel, Munich
Cindy Sherman: Specimens, Art Random: Kyoto Shoin International
1990
Untitled Film Stills Cindy Sherman, essay by Arthur Danto, Schirmer Mosel, Munich and Rizzoli, New York
Cindy Sherman, Mazzotta, Milan
1989
Cindy Sherman, essays by Robert Leonard and Priscilla Pitts, The National Art Gallery, New Zealand
1987
Cindy Sherman, essays by Peter Schjeldahl and Lisa Phillips, Whitney Museum of American Art, New York; The Institute of Contemporary Art, Boston, Massachussetts; The Dallas Museum of Art, Texas
Cindy Sherman, essays by Peter Schjeldahl and Els Barents, Schirmer/Mosel, Munich
Cindy Sherman, Parco Co., Ltd, Tokyo
1985
Cindy Sherman, essay by Marianne Stockebrand, Westfalischer Kunstverein, Munster
1984
Cindy Sherman, Laforet Museum, Tokyo
Cindy Sherman, essays by Peter Schjeldahl and I. Michael Danoff, Pantheon Books, New York
1983
Cindy Sherman, essay by Christian Caujolle, Musee d'Art et d'Industrie Saint-Etienne, France
1982
Cindy Sherman, Stedelijk Museum, Amsterdam
Selected Bibliography:
2010
The Dissolve: Eighth International Biennial Exhibition 2010, Site Santa Fe, New Mexico, pp. 136-139
Jennifer Blessing and Nat Trotman, Hauted: Contemporary Photography/Video/Performance, Guggenheim Museum Publications, New York, pp. 23, 38, 80-81
2009
Juan Roselione-Valadez (ed.), Beg Borrow and Steal, Rubell Family Collection, Miami, pp. 218-225
Matthew Higgs, "Best of 2009," Artforum, December, pp. 177, cover
Elizabeth Thomas, Matrix/Berkeley: A Changing Exhibition of Contemporary Art, University of California, Berkeley Art Museum and Pacific Film Archive, Berkeley, California, pp. 286
Alison M. Gingeras and Francesco Bonami (ed.), Mapping the Studio: Artists from the François Pinault Collection, Palazzo Grassi, Venice; Mondadori Electa S.p.A., Milan, pp. 176-181; 340-341
Douglas Eklund, The Pictures Generation, 1974-1984, The Metropolitan Museum of Art, New York
Catherine Wood, "Cindy Sherman," L'Uomo Vogue, May/June, pp. 114-121
Peter Schjeldahl, "Alien Emotions: Pictures Art Revisited," The New Yorker, May 4, pp. 74-75
Holland Cotter, "At the Met, Baby Boomers Leap Onstage," The New York Times, April 24, pp. C27, C30
Ben Lewis, "Cindy Sherman Shoots the Wives of the Rich," The Evening Standard, London, April 16
Arifa Akbar, "Being Cindy Sherman," The Independent, London, April 16
Waldemar Januszczak, "Cindy Sherman: I'm Every Woman," The Times, London, April 12
Laura Allsop, "The 'Real' Cindy Sherman," Art Review, April, pp. 70-75
Francesco Baragiola (ed.), Un Certain Etat Du Monde? Skira Editore S.p.A., Milan, pp. 74-81
"My First New York: Cindy Sherman," New York, April 20, pp. 31
David Frankel, "Cindy Sherman: Metro Pictures," Artforum, February, pp. 186
Eva Respini, Into the Sunset: Photography's Image of the American West, The Museum of Modern Art, New York, pp. 128, 137 (cover)
Urs Stahel (ed.), Darkside II, Fotomuseum Winterthur and Steidl Verlag, Göttingen, pp. 47, 65, 275
2008
Calvin Tomkins, Lives of the Artists, Henry Holt and Company, New York, pp. 21-45
Michael Fried, Why Photography Matters As Art As Never Before, Yale University Press, New Haven, pp. 8-9, 13-14
Martha Schwendener, "Female Trouble," The Village Voice, December 16, pp. 41
Jerry Saltz, "The Top Nine Shows (And One Event)," New York, December 15, pp. 55
Matthew Higgs, "Cindy Sherman," Interview, December/January, pp. 145-149
Jerry Saltz, "Sherman's March of Time: The Original Chameleon Shows Her Characters' Aging—And is Reborn," New York, December 1, pp. 76-77
David Hershkovits, "In Your Face?," Paper, November, pp. 54-60
This is Not To Be Looked At: Highlights from the Permanent Collection, The Museum of Contemporary Art, Los Angeles, pp. 274-275
Hubert Beck and Günter Engelhard, Fotografie, Hatje Cantz Verlag, Ostfildern, pp. 244-247
Beatrix Ruf (ed.), Blasted Allegories: Works from the Ringier Collection, JRP Ringier, Zurich, pp. 222-225, 276, 316, 324-325
Mark Stevens, "How I Made It: Cindy Sherman on her 'Untitled Film Stills,'" New York, April 14, pp. 78-79
2007
Catherine Millet, "Cindy Sherman/Nicolas Ghesquire," French Vogue, August, pp. 158-165
Gabriele Schor, "Cindy's Original Scene," Held Together With Water, Sammlung Verbund, Hatje Cantz, Ostfildern, pp. 46-71
Panic Attack! Art in the Punk Years, Mark Sladen and Ariella Yedgar (ed.), Merrell Publishers Limited, London, pp. 156-161
Wrestle: Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annadale-on-Hudson, New York, pp. 52-69
Cindy Sherman and Johanna Burton, "1,000 Words: A Play of Selves," Artforum, January, pp. 232-233
2006
Klaus Biesenbach (ed.), Into Me / Out of Me, Hatje Cantz Verlag, Ostfildern, pp. 424-425
The 80's: A Topology, Ulrich Loock (ed), Museu Serralves, Portugal, pp. 288-293
Gabriele Schor, "Cindy's Original Scene: Doll Clothes," Parkett, No.78, pp. 24-28
Germano Celant and Lisa Dennison, New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Skira, Monaco, pp. 348 – 349.
No. 1, Francesca Richer and Matthew Rosenzweig (ed.), D.A.P., New York, p. 344
Superstars: von Warhol bis Madonna, Kunsthalle Wien & BA-CA Kunstforum, pp. 222, 223, 267-271
Hal Foster et al., Art Since 1900, Thames & Hudson, United Kingdom
Johanna Burton, "Cindy Sherman: Retrospective," Artforum, May, pp. 110-111.
"Une Vision Qui Se Deploie," interviewed by Arthur Danto, Art Press, May, pp. 24 – 31
J.M. Bernstein, Against Voluptuous Bodies, Stanford University Press, California, pp. 253 - 323
2005
Hatje Cantz Verlag, Flashback: Revisiting the Art of the 1980s, Kunstmuseum Basel, Museum fur Gegenwartskunst, Switzerland
2004
Monument to Now: The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens, pp. 358-359
Richard B. Woodward, "Fun to Look Different," Art News, May, p. 108
Roberta Smith, "The Ever-Shifting Selves of Cindy Sherman, Girlish Vamp to Clown," New York Times, 28 May, E33
Jan Avgikos, "Reviews – Cindy Sherman, Metro Pictures," Artforum, September, p. 265
2003
"Cindy Sherman Talks to David Frankel," interview with David Frankel, Artforum, March, pp. 54-55, 259-260
Molly Nesbit, "Bright Light, Big City: The 80s Without Walls," Artforum, pp. 184-189, 245-8
Tom Lubbock, "The Make-up Girl," The Independent Review, London, pp. 14-15
Gabby Wood, "I'm Every Woman…," The Observer, London, May 18
Charlotte Mullins, "Living Doll," Financial Times, London, June 7
Betsy Berne, "Studio Visit: Cindy Sherman," TATE Arts and Culture, London, May/June, pp. 36-42
Simon Ford, "Head to Head: Cindy Sherman and Barbara Kruger in London," Art Monthly, London, July-August 2003, no. 268, pp. 35-37 (cover)
John Slyce, "Beyond Recognition: The Unidentifiable Cindy Sherman," Portfolio, London, December, No. 38, pp. 42-49
2002
Art History Aesthetics Visual Studies, editors Michael Ann Holly & Keith Moxey, essay by Michael Kelly, Yale University Press, New Haven, pp. 122-146
Hautnah - The Goetz Collection, Museum Villa Stuck, Munich pp. 82-5
Visions from America: Photographs from the Whitney Museum of American Art, Whitney Museum of American Art, New York, pp. 130, 140, 221
Art Now, Uta Grosenick & Burkhard Riemschneider (ed.), Taschen, Cologne, pp. 452-5
2001
David Gleeson, "Reviews - Cindy Sherman," Time Out London, January 3-10, p. 52
Cheryl Kaplan, "Cindy Sherman," Tema Celeste, January-February, p. 91
Edward Leffingwell, "Cindy Sherman at Metro Pictures," Art in America, June, p.126
Double Life, Sabine Breitwieser (ed.), Generali Foundation, Vienna, Austria
Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections, Los Angeles County Museum of Art, California
ABBILD: Recent Portraiture and Depiction, Landesmuseum Joanneum, Graz, Austria
American Visionaries, Whitney Museum of American Art, New York, p. 278
2000
David Pagel, "Sherman is the Very Picture of How Others Fall Short," Los Angeles Times, 14 April, F22
Inverted Odysseys, Claude Cahun, Maya Deren, Cindy Sherman, ed. by Shelly Rice, Massachussets Institute of Technology; Grey Art Gallery, New York University; Museum of Contemporary Art, North Miami
Calvin Tompkins, "Her Secret Identities," The New Yorker, May, pp. 74-83
Charles Gandee, "Women on the Verge," Talk, May, p. 46
Éva Forgács, "Cindy Sherman," Art Issues, September/October, p. 46
Wayne Koestenbaum, "Fall Gals," Artforum, September, pp. 148-151 (and cover)
Vince Aletti, "The Lady Vanishes," Village Voice, 21 November, p. 85
Michael Kimmelman, "Cindy Sherman," New York Times, 24 November, p. E36
Linda Yablonsky, "Vanity Fare," Time Out New York, Nov. 30 - Dec. 7, p. 91
Modern Contemporary: Art at MoMA Since 1980, Kirk Varnedoe, Paola Antonelli, Joshua Siegel (ed.), Museum of Modern Art, New York, pp. 2, 3, 4, 5, 6, 41, 230, 347
Hyper Mental, Kunsthaus Zürich/Hamburger Kunsthalle, Germany, p. 101
Andrew Wilson, "Cindy Sherman," Art Monthly, December-January, pp. 33-4
1999
Peter Schjeldahl, "Valley of the Dolls," The New Yorker, 7 June, pp. 94-95
Lilly Wei, "Cindy Sherman: Metro Pictures," Artnews, September, p. 147
Brook S. Mason, "Sherman's March," Artnews, September, p. 72
Mark Van Proyen, "Cindy Sherman," New Art Observer, October, p. 46
Jutta Koether, "Old Witnesses," Camera Austria, Graz, no. 67, pp. 18-29 (and cover illustration)
Barbara Pollack, "The 10 Best Living Artists: Self-Denial," Artnews, December, p. 146
Dave Hickey, "Best of the 90's," Artforum, December, pp. 112-3
Janet Kraynak, "Cindy Sherman at Metro Pictures," Documents, Fall, pp. 54-8
1998
Claire Carolin, "Cindy Sherman: History Portraits," Contemporary Visual Arts, issue. 17, p. 75
R. Forgáes, "Cindy Sherman," Art Issues, January/February, p. 48
Miranda Sawyer, "The Invisible Woman," The Observer (Life Weekend Segment), England, pp. 14-19
"200 Women Legends, Leaders and Trailblazers," Vanity Fair, November, p. 250
1997
Phoebe Hoban, "Sherman's March," Vogue, February, pp. 240-3, 278
Noriko Fuku, "A Woman of Parts," Art in America, June, pp. 74-81, 125
Herbert Muschamp, "Knowing Looks," Artforum, Summer, pp. 106-111
Peter Plagens, "The Odd Allure of Movies Never Made," Newsweek, June 30, pp. 74-5
Mark Stevens, "Performance Anxiety," New York, July 7, pp. 58-9
Roberta Smith, "Film Starlet Clichés, Genuine and Artificial at the Same Time," New York Times, Arts and Leisure, 27 June, C23
Helen Molesworth, "The Comfort of Objects: Helen Molesworth on Cindy Sherman's 'Untitled Film Stills' 20 Years on," Frieze, London, September/October, pp. 45-47
Christopher Knight, "Camera Ready," Los Angeles Times, 2 November, pp. 5, 92
Roberta Smith, "A Horror Movie, Complete with Zombies," The New York Times, November 30, p. 41
Andrew Johnston, "Office Killer," Time Out, December 4-11, p. 83
John Anderson, "Office Killer Takes Aim at Horror Genre," The Los Angeles Times, December 5
1996
Dike Blair, "A Chat with Cindy Sherman," Flash Art, March/April, p. 82
Hilton Als, "She Came From SoHo," The New Yorker, 22 April, pp. 38-39
1995
Peter Schjeldahl, "Master Class," The Village Voice, February 7, p. 77
Dike Blair, "Cindy Sherman - Metro Pictures," Flash Art, March - April, p. 103
Neville Wakefield, "Cindy Sherman," Artforum, April, p. 89
Kim Paice, "Cindy Sherman," Art in America, May, pp. 112-3
Ken Johnson, "Cindy Sherman," Art in America, May, pp. 112-3
Michael Kimmelman, "Portraitist in the Halls of Her Artistic Ancestors," New York Times, 19 May, C1, C7
1994
Andrew Menard, "Cindy Sherman: The Cyborg Disrobes," Art Criticism, vol. 9, no. 2, pp. 38-48
Emily B. Greenberg, "Cindy Sherman and the Female Grotesque," Art Criticism, vol. 9, no. 2, pp. 49-55
From Beyond the Pale - Cindy Sherman Photographs 1977-1993, Irish Museum of Modern Art, Dublin
Jurgen Klauke - Cindy Sherman, Sammlung Goetz, Munich
1993
Jan Avgikos, "Cindy Sherman: Burning Down the House," Artforum, Jan., pp. 74-9
Louise Lawler, Cindy Sherman, Laurie Simmons, Kunsternes Hus, Oslo; Museum of Contemporary Art, Helsinki
Rosalind E. Krauss, "Cindy Sherman's Gravity: A Critical Fable," Artforum, September, pp. 163-164, 206
1992
Cindy Sherman, Fitcher's Bird, Rizzoli, New York
Judith Williamson, "Images of 'Women': The Photography of Cindy Sherman," Knowing Women: Feminism and Knowledge, Great Britian: The Open University, pp. 222-25 (reprint from Screen, 1982)
Elizabeth Bronfen, Over Her Dead Body, Manchester University Press
Amei Wallach, "Tough Images to Face," Los Angeles Times, June 7
Brian D'Amato, "Cindy Sherman: Limbless Hermaphrodites and Dismembered Devil Dogs," Flash Art, Summer, p. 107
1991
Currents 18: Cindy Sherman, Milwaukee Museum of Art
Hugo Williams, "Her Dazzling Career, Cindy Sherman at the Saatchi Collection," Times Literary Supplement, London, 11 January, p. 10
Laura Mulvey, "A Phantasmagoria of the Female Body: The Work of Cindy Sherman," New Left Review, #188, July-August, pp. 136-51
Ursula Pia Jauch, "I am Always the Other," Parkett, Zurich, no. 29, pp. 74-80
Elfriede Jelinek, "Sidelines," Parkett, no. 29, pp. 82-90
Norman Bryson, "The Ideal and the Abject," Parkett, Zurich, no. 29, pp. 91-102
Wilfried Dickhoff, "Untitled Nr. 179," Parkett, Zurich, no. 29, pp. 103-111
Abigail Solomon-Godeau, "Suitable for Framing," Parkett, Zurich, no. 29, pp. 112-121
1990
Roberta Smith, "A Course in Portraiture by an Individualist with a Camera," New York Times, Arts and Leisure, 5 January, p. C19
Glenn Collins, "A Portraitist's Romp through Art History," New York Times, 2 February, C17, C20
Peter Schjeldahl, "Portrait: She is a Camera," 7 Days, 28 March, pp. 17-19
Brooks Adams, "Cindy Sherman at Metro Pictures," Art in America, June, p. 172
"Insert: Cindy Sherman," Parkett, Zurich, no. 24, pp. 119-133
1989
Rick Woodward, "Film Stills," Film Comment, April, pp. 51-4
David Rimanelli, "New York: Cindy Sherman, Metro Pictures," Artforum, Summer, p. 165
Peter Plagens, "Into the Fun House," Newsweek, August 21, pp. 52-7
1987
Roberta Smith, "Art: Cindy Sherman at Metro Pictures," The New York Times, May 8
Gerals Marzorati, "Sherman's March," Vanity Fair, October
Michael Brenson, "Art: Whitney Shows Cindy Sherman Photos," The New York Times, July 24, C31
Arthur C. Danto, "Art: Cindy Sherman," The Nation, 15-22 August, pp. 134-137
Ken Johnson,"Cindy Sherman and the Anti-Self: An Interpretation of Her Imagery," Arts Magazine, November, pp. 47-53
1986
Stephen W. Melville, "The Time of Exposure: Allegorical Self-Portraiture in Cindy Sherman," Arts Magazine, January, pp. 17-21
Deborah Drier, "Cindy Sherman at Metro Pictures," Art in America, January
1985
Gerald Mazeroti, "Self-Possessed," Vanity Fair, October
Andy Grundberg, "Cindy Sherman's Dark Fantasies Evoke a Primitive Past," The New York Times, October 20
1984
Jamey Gambrell, "Marginal Acts," Art in America, March, pp. 114-9
Lisa Liebman, "Cindy Sherman, Metro Pictures," Artforum, March, p. 95
Rosemary Robotham, "One-Woman Show: Cindy Sherman Puts Her Best Face Foward," Life Magazine, June, pp. 14-22
1983
Kate Linker, "Cindy Sherman, Metro Pictures," Artforum, January, p. 79
Currents 20. Cindy Sherman, essay by Jack Cowart, St. Louis Art Museum
Gerald Marzorati, "Imitation of Life," Art News, September, pp. 78-87 (cover)
Lee Lescaze, "Making Faces: A Photographer Dressed up for Success," The Wall Street Journal, November 15, p. 32
Vicki Goldberg, "Portrait of a Photographer as a Young Artist," New York Times, 23 October
Roberta Smith, "Art," Village Voice, November 29, p. 119
Judith Williamson, "Images of 'Woman': The Photographs of Cindy Sherman," Screen, London, November/December, pp. 102-116
1982
Jamey Gambrell, "Cindy Sherman, Metro Pictures," Artforum, February, pp. 85-6
Peter Schjeldahl, "Shermanettes," Art in America, March, pp. 110-1
Richard Rhodes, "Cindy Sherman's 'Film Stills'," Parachute, September-October, pp. 4-7 (and cover)
1981
Richard Flood, "Cindy Sherman, Metro Pictures," Artforum, March, p. 80
Douglas Crimp, "The Photographic Activity of Postmodernism," October, no. 15, Winter, pp. 99-102
Andy Grundberg, "Cindy Sherman: A Playful and Political Post Modernist," New York Times, 22 November
1980
Cindy Sherman: Photographs, essay by Linda Cathcart, Contemporary Arts Museum, Houston
Craig Owens, "The Allegorical Impulse: Toward a Theory of Postmodernism, Part 2," October 13, Summer, pp. 59-80
1979
Douglas Crimp, "Pictures," October 8, Spring, pp. 75-88
Awards and Grants:
2009
National Artist Honoree, The Anderson Ranch Arts Center
2005
Guild Hall Academy of the Arts Lifetime Achievement Award for Visual Arts
Honoree at New Museum Annual Benefit
2003
American Academy of Arts and Sciences Award
2002
National Arts Award
2001
New York State Governor's Arts Award
2000
The Hasselblad Foundation
1999
Goslar Kaiserring Prize
1997
Wolfgang-Hahn-Preis (Gesellschaft fur Moderne Kunst am Museum Ludwig)
1995
John D. and Catherine T. MacArthur Foundation
1993
Larry Aldrich Foundation Award, Connecticut
1989
Skowhegan Medal for Photography, Maine
1983
John Simon Guggenheim Memorial Fellowship
1977
National Endowment for the Arts
Selected Museum and Public Collections:
Akron Art Museum
Albright-Knox Art Gallery, Buffalo
Allen Memorial Art Museum, Oberlin, Ohio
Art Gallery of New South Wales, Sydney
Art Gallery of Ontario, Toronto
Art Institute of Chicago
Astrup Fearnley Museet for Moderne Kunst, Oslo
Australian National Gallery, Canberra
Baltimore Museum of Art, Maryland
Birmingham Museum of Art
Brooklyn Museum, New York
Burchfield Art Center, Buffalo
Carnegie Museum of Art, Pittsburgh,
Centre Georges Pompidou, Paris
Centro de Arte Reina Sofia, Madrid
Chrysler Museum, Norfolk, Virginia
Corcoran Gallery of Art, Washington, D.C.
Dallas Museum of Fine Arts
Des Moines Art Center
Duke University Museum of Art, Durham, North Carolina
Eli Broad Family Foundation, Los Angeles
Ellipse Foundation, Portugal
Emmanuel Hoffmann Foundation, Basel
Everson Museum, Syracuse
Fotomuseum Winterthur, Switzerland
Fundacio "la Caixa", Barcelona
Galleria d'Arte Moderna e Contemporanea Pallazzo Forti, Verona, Italy
George Eastman House, Rochester
Goetz Collection, Munich
Henry Art Gallery, Washington
Hamburger Bahnhof Museum fur Gegenwart, Berlin
Hamburger Kunstalle, Hamburg
Hara Museum of Contemporary Art, Tokyo
Hayden Gallery, Massachusetts Institute of Technology, Cambridge
High Museum, Atlanta
Indianapolis Museum of Art
International Center of Photography, New York
Israeli Museum, Israel
Kunsthalle Hambourg, Germany
Kunsthaus, Zurich
Kunstmuseum Wolfsburg, Germany
Los Angeles County Museum of Art
Louisiana Museum, Humlebaek, Denmark
Madison Art Center, Wisconsin
Magasin 3, Stockholm
Malmo Konsthall, Sweden
Metropolitan Museum of Art, New York
Middlebury College Museum of Art, Middlebury, Vermont
Milwaukee Art Museum
Moderna Museet, Stockholm
Modern Art Museum of Fort Worth, Texas
Mount Holyoke College Art Museum, South Hadley, Massachusetts
Musée d'art Contemporain, Montréal
Museet for Samtidskunst, Oslo
Museo Nacional Centro de Arte Reina Sofia, Madrid
Museum Boymans-van Beuningen, Rotterdam
Museum Folkwang, Essen, Germany
Museum des 20, Jahrunderts, Vienna
Museum Ludwig, Koln
Museum of Art, Carnegie Institute, Pittsburgh
Museum of Contemporary Art, Chicago
Museum of Contemporary Art, Helsinki
Museum of Contemporary Art, Los Angeles
Museum of Contemporary Art, Luxembourg
Museum of Contemporary Art, Wright State University, Dayton
Museum of Fine Arts, Boston
Museum of Fine Arts, Houston
Museum of Modern Art, New York
Museum of Modern Art, Oslo
National Gallery of Canada, Ottowa
New Britain Museum of American Art, New Britain, Conneticut
Palmer Museum of Art, Pennsylvania State University, University Park, Pennsylvania
Philadelphia Museum of Art
Patchett Collection, San Diego
Portland Art Museum, Oregon
Power Gallery of Contemporary Art, University of Sydney, Australia
Queensland Art Gallery, Brisbane, Australia
Rijksmuseum Kroller-Muller, Otterlo, Holland
Ringling Museum, Sarasota, Florida
Rose Art Museum, Brandeis University, Walthan, Massachusetts
San Diego Museum of Contemporary Art
San Francisco Museum of Modern Art
Scottish National Gallery, Edinburgh
Solomon R. Guggenheim Museum, New York
Sprengel Museum, Hannover
St. Louis Art Museum
Staatsgalerie Stuttgart, Germany
Stedelijk Museum, Amsterdam
Tamayo Museum, Mexico City
Tampa Museum of Art
Tate Gallery, London
Tokyo Metropolitan Museum of Photography
University Art Gallery, SUNY, Binghamton
University of Kentucky Art Museum, Lexington
University of Virginia Art museum
Vancouver Art Gallery
Vasser College Art Gallery, Poughkeepsie, New York
Victoria and Albert Museum, London
Wadsworth Atheneum, Hartford
Walker Art Center, Minneapolis
Weatherspoon Art Gallery, Greensboro, North Carolina
Whitney Museum of American Art, New York
